WARNING: If you are ASHLEY M. or KEVIN R. do NOT continue reading!
24" x 18", full view |
I created the texture by mixing spackling paste with a bit of Mod Podge (in the hopes that the Mod Podge would bind the compound a bit). I lumped the mixture onto a primed canvas and went over it several times with a putty knife. I used varying amounts of pressure as I went along and went back over the high points lightly to knock them down and add subtle texture. This took about 24 hours to dry since it was all so thick and the humidity was way up there.
Next I put a nice coat of white paint over the whole surface. I used a gesso, though I wish I had used an acrylic with more gloss to it because I had hoped to create a "skin" on the texture surface but the gesso just soaked in.
While that was drying I created a scaled image of my canvas in Illustrator. I laid out the monogram in one layer and some decorative florals in another. I printed the florals in reverse on several sheets of paper. Next I applied the florals to the canvas using the Mod Podge transfer method. I have done this before with gel medium but I had Mod Podge closer by. I put a nice even coat of the Mod Podge on the printed surface of the florals and then carefully applied the paper to the canvas print/Mod Podge side down. I did the best I could to smooth out any bubbles and create a bond to textured canvas wherever there was a printed image.
close up of texture and layers |
While that was painting I transfered the monogram to poster board and cut out a stencil. I used black paint to stencil it onto the canvas. Because I wanted a more rustic feel I wasn't too concerned with bleeding under the stencil. Once the black dried I brought out some high lights by sanding high points with a sanding block.
After the black I went over the whole thing with a faint glaze of brown to warm it up a bit, wiping the high points again so the glaze sat more into the texture. I can't wait to present it to the bride and groom.